recorded in the winter/spring of 2009, first released in june 2009. at the time i called it my failed kompakt techno experiment, i started out with that minimal beat in mind but ended with something different. the title was the first thing i started with after watching some miss helen mirror on tv at the period, still love the title really. songs became longer and i discovered the delay while recording. this second record was the first one were i started settling on an sound of my own. some weeks after recording the screaming girls on the last track during their sunday afternoon youth group activity a baby fetus was found on their field with the mother being one of the girls

so what is the sound of progressive disco? well it captures the insane rhythm and the unforgiving driving beat that is instantly found in the funk of the early seventies but real disco music also had a formula that would guarantee the hottest djs success if played at the right time. that formula was a blend of up-tempo rhythm sections laden with south american percussion mixed with soulful vocals and orchestral strings - a symphony of sex, lust and love. we change the formula and focus on the rock, electronic and dub elements - slower, sleazy and fun.

for the second and far overdue release on his little leaf imprint matt moroder delivers a superlative psychedelic reimagination of shuggie otis which sits far beyond the realm of your blog standard ableton edit. matt scliced the original into little pieces put it new together and added some drums and percussion with the respect this soul classic deserves. this rework is hypnotizing makes you wish to never end. on the flip hamburgs hardest working entertainer erobique used the same kind of gentleness to rework some cello and voice by one of the greates disco visionaries and songwriters that left us much to early. by creating a dirty mpc beat and blend it with vocals and cello erobique creates his own vision of the late arthur russell far from the average four too the floor mediocrity. this vinyl only release is strictly limited to 300 copies and shines even more with a splendid artwork that shows love and care

a1: 2gether - smooth track, perfect for those disco/house sets. chuggs along gently with a tremendous groove, love the vocal and the percussive elements. the loose key riff really adds the finishing touch to this brilliant track!
b1: untitled in a ghetto - the groove is deep in the percussion, a simple bass line and quirky synth hook. when the vocal drops it is the epitome of a cool, down beat track. awesome!

2nd part with full of prime time madness... incl pan-pot remix

for more than 5 years cargo edition has been standing for the deeper house productions of moon harbour/cargo edition’s roster of artists. so far acts like ekkohaus, michael melchner and markus schatz have been setting the tone. now this platform is offered to artists who haven’t yet appeared on the label. the warehouse release is the first of a series of various artists eps. we invited artists like steven cock from dresden, ralph sliwinski as well as the italian acts mass prod & marco daquino and minimono to contribute tracks to warehouse vol.1. the sound of the first ep is all about consistent house music that does not need any cheap rave tricks. old school house music is quoted with skills and style and translated to the modern dance floor. warehouse vol.1 is the perfect start into the fifth year of cargo edition. luciano (cadenza): cargo edition is a great label, probably one of the most quality dance music.. full support!

spun presents the neurofunk legends synthetix & corrupt souls! these artists were a big hype from 2003 - 2006 with their very own unique sound and caused mayhem in the scene on labels like renegade hardware, obsessions, freak, black sun empire, disturbed and many more. spun came up with these 2 forgotten gems that still sound fresh. neuro heads will love the freaky sound of the a-side with the unmistakable heavy stepping beat and neurotic synths. the vibe reminds us of the good old days while the flip will fit in every djs set with its heavy percussion, siren like sounds and heavy synth stabs! still fresh! only limited available, so grab it while you can.

a1. (lars hemmerling : hedgehog in the fog) industrial sine waves meets frozen echo sculptures in dub, an intense bass journey from dub till dawn.... b1. (gunnar hemmerling : stranger ranger) :broken beat programming + dancehall bassline laid in an atmospheric enviroment / industrial alike soundscapes.

droning cinematic ambient techno from the do no resist the beat/milton bradley camp - tip!

after an incredible whirlwind of a year lee foss returns to the culprit fore with >your turn girl<. foss is the labels most consistent and prolific artist with this ep being his fourth release, solo or as part of hot natured. it is safe to say, lee has become one of the pillars around which culprit is being built. the >your turn girl ep< carries foss signature hallmarks: melodic funk-infused basslines, vocal hooks that grab you from the off and a smooth electronic edge. lees incredibly emotive sound makes him stand out even in the current glut of soulful dance music washing over the global scene. your turn girl – the title track is an epitome of foss >ominous funk< style, playful yet with a distinctly sultry edge. yet another memorable r n b female vocal bit sits on top of some of lees own best synth work. and driven by a killer analogue bassline. >pyramid scheme< –bristles with the disco-inspired propulsive energy. an acid-flecked low end, that comes to the fore mid-way through, a swirling guitar sample, the crisply sharp drums add up to the releases, perhaps, most hands-in-the air moment. >cabin party< continues the themes lee explored with his mega successful hot creations ep. foss eschews the standard house beat yet again, opting for his most organic drums yet, stunningly conceived textures and melodies, with another pair of vocal hooks to die for. finally >warriors< has been a staple of many a culprit dj set for the best part of 2010. lees trademark combination of a terrific electronic bassline, and an unabashedly emotional sample work make for a deep house stand-out tinged with a sense of nostalgia.

its not every day that we receive demos from new artists that totally rock our world, but when its happens its a joy and a reminder of why we are still doing this. and so tears of joy rolled onto the speakers when we played policys demos. when contacted policy he told us he is from nyc, is a part time movie director and only started making music recently. out of the bunch of tracks we received >specialty party< and >light over fort lee< form his debut ep. both tracks challenge the beat spectrum once again and definitely speak his cinematic mind. expect more music from policy on rush hour later this year. he surely is our contender for best newcomer of 2011.

we are happy to announce the first release from ultrastretch featuring nottingham-born and now london- based artist matthew burton. a – who loves yous short, sharp hats and robotesque samples build slowly and aloofly to what becomes a somehow familiar and nostalgically tinted style. it is in fact, sampled from the 1987s >the running man< soundtrack, originally composed by harold faltermeyer and picked and plucked apart by matthew burton to make it into his own. the epic synth riff melted with its strong kick and tightly sprung sound corners are eerie and atmospheric. >who loves you< resonates with all of us with its clear 80s feel thats been manipulated into a new and exciting piece of underground music from matthew burton. b – small winner takes us on another journey all together. a deceivingly kicky intro steers us into a combination of swooning orchestral brass and delicate jazzy piano keys who share their space with a crunchy and inviting rhythmic stride. its cleverly concocted instrumental experimentation lends its listeners ear towards the smooth ambience while the hypnotic beat keeps us subconsciously moving. dramatic pauses, a syncopated yet soothing orchestral fusion build >small winner< into an original and intriguing musical piece.

big with: d julz, ray okpara, brothers vibe, mihai popoviciu, gel abril, mendo, phil weeks, chris wood, anthony collins, jacuzzi boys, affkt, meat

originating from argentina, savor music is a multi-cultural project that aims at bringing out our favorite flavors in sound. the leading forces behind the project are cape and jorge savoretti, both natives of the city of rosario. savor music kicks off underlining the madrilenian connection, so dear to us. it is represented here by our great friend papol of the esperanza crew. developing his sound release after release, he allowed us to pick through his best tracks in order to inaugurate our 12 inch vinyl series. on the a side, first up is >before tea<, a strong driving bomb with a crossover appeal. on a2, ekkohaus delivers a surprising broken beat take of >dub 2010<.

nice price deal !!! bad cop bad cop is the moniker of two of germanys most inventive and unique producers, lopazz (zz badcop) & alex cortex (xx badcop). the boys deliver two peak time dancefloor techno tracks – a pretaste for their upcoming album on pomelo (to be released in 2011).
side a - cherry tea : a broken beat monster which builds and builds and is set to cause serious damage on the more adventurous dancefloors.
side aa - life on stage : features the more conventional but not less stomping 4/4 jack track, another one for peak-time madness.

new collaboration with bobby&kleins giom and la derek dunbar. title track is peak time disco funk all out jam that has a perfect vocal hook and serious funk. gioms remix takes a deep turn adding synth stabs and pads. dereks remix is driving force with beat cuts. last cut is downtempo gem.

once again, berlin based resopal label head mri sticks to his guns and brings you strangely funky tunes. weakend-polka titled ep is filled with three tracks, all spiked with steady beats, funk, deep melodic chords and an overall glamour house feel. this is not only very well produced house / funk music, its also a journey through deepness and a modern take on the soulful side of the electronic music which exceeds the genre by far with a rich, colourful palette of surprising, individual sounds, butter-smooth chords, some of the most raunchiest bassline that you will ever hear outside of drum n bass, cleverly constructed beat patterns that yet never fail to jack and swing and an understanding of dub that goes far beyond the random use of echo and effects. this is electric intergalactic soul/funk/house/techno. its noir, its dirty, its dangerous and risqu. on vinyl, as we like our little record-shop around the corner.

the latest release on motormouth brings together 4 artists from all over the planet. forsaken is dead from the usa brings us his incredible track everything gained. tripped from belgium with his amazing track acid stacy, stocker from the netherlands appears on this ep too. label owner al twisted alongside lost origin have an amazing track on this ep called pulsating beat. with track already licensed to the forthcoming partyraiser cd this ep is receiving accolades from some great djs & artists alike!

jenifa mayanja, respected new york dj, producer and owner of bu-mako recordings, steps into the altered moods collective for an exciting two cut vinyl release, >desire more<. the first side slides into a subtle groove with voices and synthy keys over a beat itching to get you on to the dance floor. then a variety of warm melodies join in, bubbling and be-bopping onto the main cut, a collusion of claps, beats and riffs. jenifa comes back and leads us to a saucy clarinet that could be rehearsing in the next room, unaware of our presence. yet it echoes the feel of the piece, dancing away from and back to the rhythm.

>3.652 tage< : the track a day originated after my 10-year-old djs jubilee. from the mood of the eve, there originated thus the acoustics-percussion beat with emitter surfaces. >zeitfenster< : this track with miguel aka electric gloss, to a friend from portugal produced. he has visited me for two days in frankfurt, meanwhile we were diligent in the studio. the sound capes remind me of a typical summer thunderstorm. >eureka< : this number has something incredible for me. a kind of space-electro with quite futuristic melody. if somewhat is inspired by the film barbarella. unambiguously one of my favourites on the album.

midi meets part 4 – this time we team up with our friends from belgium and netherlands from q-ics fanatix label. another doublepack of full-force primetime techno which will hit you as hard as you need it!

2nd remix part with four remixes from mihai popoviciu, sante, marc miroir , matt star !! perfect dj food

this is a 20 year compilation, featuring hits right from the early days in 1990 right through to 2010. vinyl edition featuring plez, wildchild, soul grabber and annie.
this compilation is to celebrate 20 years of loaded records, alongside the successful birthday of skint s 15 years.

simoncino (aka nick anthony) from italian super edit label no more hits crosses the atlantic and finds a new home with on the prowls sub-label party breaks. what immediately stands out upon first listen is the production style, not being able to tell what is a sample and what has been replayed… much like tensnakes mega hit. the simoncino sound is firmly rooted in proto-house and 80s r&b. with ingredients like ancient drum machines, arpeggiated melodies, and cheap 80s pads, his concoction boils over with a certain cheekiness that makes listeners grin from ear to ear. all four tracks are subtle hits in their own right. excellent ep!

once again we present the official army of hardcore anthem on our label this year!
>army of hardcore< is one of the biggest german hardcore events, taking place on the 25th of december 2010 in oberhausen (turbinnehalle) with 6 different areas.
for this years anthem masters of noise and the beat controller (still in everyones ears with his current release: droppin heat) combined forces and engaged mc tha watcher for the vocals. this is hardcore at its best!

at least some vinyl goodness from lunice courtesy of our friends at luckyme. this is playful futuristic beat music that screams instant hit but if you dig deeper there is alot going on underneath its glossy surface. every track is a winner to top it all off there is a remix from our man rustie. this is most certainly a record you should spend some time with.

following the critically acclaimed debut-release of bob bhamras west norwood cassette library alias teal recordings presents blonde on blonde as its seminal release. this one is surely ment for the dancefloor: an addictive bassline, and a stomping house beat executed as were it a hidden gem dug out in a new york pawnshop. the ubiquitous ramadanman hits the flipside under his pearson sound monkier, with a rehash of blonde on blonde, with subtle references to the original version david kennedy takes the remix to quite different, but equally interesting, places. lush early morning vibes! - a must have! support from, untold, 2562, ben ufo, shortstuff, mosca, pariah.

well rounded are extremely excited to announce the imminent unleashing of the 2nd instalment in our r&b refix special series. ladies and gents - cash antics vol 2. this time round we bring you 4 separate artists take on remaking r&b in their own inimitable ways. first up deadboys >fireworks< edit has elicited a massive response already on forums and blogs, its simple house framework lending extra soul, gravity and impact to the beautiful vocals and piano. incredibly effective and affecting stuff. on track 2 gongon & bad autopsy (ptn / ramp) showcase their stripped back luminous garage informed sound on >mag (remix)<. the contrast between the bare bones beat, warm sub tones, hovering chords and earnest vocal make this a highly addictive tune. watch for future releases from these guys. flip the plate for skinnz and his steamy half-step selection >turn u on<. already a regular feature in deadboy dj sets, this wastes no time in seducing the listener with a breathless panting vocal riding a bumping beat, bouncing bass and sweaty synth work. this tune is hot and heavy! finally gatto viola & doc daneekas >backstabbin angie< wraps things up with nakedly emotional vocals riding a uk funky updated take on a classic 70s philly soul groove. a natural closer for a fantastically varied ep united with a common purpose - to drop honey-dipped r&b voices and vibes into the epicentre of new uk bass music fusions.

strong collaboration from bjak (eargasmic, realdeep records) and janet cruz (velophone, realdeep records) for this >bleesing in disguise ep<. opening with the magic of >your love< where janet & bjak are doing a wonderful duet with a really infectious chorus set to stay in your head for a long time. on the flipside, above smoke makes his beat less interpretation, hot beats and hypnotic chords. to close the ep, a little house gem called >free 2 love<, greatly performed by bjak in a melancholic vibe between chicago and l.a.

the hideout deconstruction revisited series is going into phase two, here we go: after the french connection (d julz and paul ritch ) , this new release sees a more international bundle of top class producers : to start , we have dusseldorfs master producer martin buttrich (desolat , planet e , ...) put his magic hands on davide squillace & luca bacchetti s around the bay ( ho001). the track starts with an >acoustic style< beat and, a strong sine sub bass line, evolving to a jacking groove with rising vocal sample , intelligent synth lines , and arabic flute break. on b2 , carola pisaturo ( titbit , claque) delivers a more minimal rework , using bouncy sub bass , vocal snipets , 909 snare and clap ... giving davide squillace and luca bacchettis around the bay a rebirth. on the flip side, mathias kadens ( vakant , cocoon ) relecture starts with a strong shuffled tribal beat , 909 toms , synth lines ... mathias interprets the original elements of around the bay in a very personal way , dropping snipets into reverbs and delays in order to create a deep rising atmosphere untill the track peaks.

including duck sauce >barbra streisand<, editors >papillon (tiësto remix)<, chromeo >dont turn the lights on (aeroplane remix)< and the sounds >tony the beat (rex the dog remix)<.

it is about time for a record from label founder dario zenker. dont ask why it took so long, but be sure it wasnt the last one. and what a record this is, after several great releases on labels like vakant, harry klein records or time to express, dario’s debut on his own imprint is another example for his unique and mature sound. his studio just as his music has grown over the years. 10 am sounds like an earthquake, raw and dirty, it builds up so much energy that even babensham starts to shake. farrel on the other side is best described as deep break beat techno. it shows the diversity of darios productions and diversity combined with a certain signature is a great mix in our opinion. so enjoy it or not, dance or put your hands in your pockets, share some love or be a hater, no matter what we like u.

we again two flying something objects are located in the orbit, waiting for permission to land on your turntables and in the lay-by of your recordbag. this time with 13 pieces of stl deep shakin house madness, mindscratching lo-fi grooves, cranky energized synth activities, dope loops and sound effects. all pressed on a delicious double vinyl album with a limited printing of 500 covers! the music is all hardware based and sequenced. recorded in live sessions without any computer arrangements. surely the style is not for everyone and compared to others, probably seems a bit unconform, cat-headed or sometimes just different. but it s always true spiritual. an open minded artform with the sense for functionality. every track is talking to you in musical form without any barriers straight down to your feet and feeling. as in all something releases there is much sound personality and imagination inside, giving the listener a ticket to the fascinating world of beat orientated something music. get on board and enjoy the trip.

a1: >rejoice< - very strong usa vibes with this one, old school brooklyn boogie feel! the riff is infectious, brought right up to date with the addition of a heavy kick. vocal adds to the feel good nature of this track! killer!
b1: >cant fake da flip< - disco with a large house element. dancefloor killer, oozes of 80s flavour! incredible bassline and heavy old school disco groove.
b2: >get over the edit< - intro builds to a little string break, then the track hits! aggressive, heavy beat! cant help but move to this one. big, big track! another one for the dancefloor.

what happens if you combine electronic sounds with minimal elements, some house brasses, a hip beat and a jungle atmosphere? yeah, youll get that special vibe called >umba eya umba samba<! and youll get it in two flavors: original and dub mi...x - and both of them entering your brain and never leaving again. enjoy dj terry pardini & invisible mans bomb!

a1: >welcome to my world< (jfk rework) - dark, deep disco! has a real strong groove when it kicks in. very dancefloor orientated, suitable for the peak hours! vocals are icing on the cake, a great track! b1: >backed up< (jfk rework) - heavy beat, head nodding time! has a psychedelic feel, deep! horns add a bit on the top of the immense depth. killer track! b2: >blind man< - stuttering, strut of a song. cool idea, centred on the bass. a must listen

jeremy duffy (duffstep) brings us back to the deep, the spacey, the atmospheric, the groove. imagine blockheads, fly los, fingathings, mount kimbies and von ds sound, slightly reduce the beat to the soulful side, add synths and mid/heavy weighted bass and your almost there. as well as releasing music on his own label, join the dots, duffstep sent a copy of his demos to electric minds and after hearing >close< we immediately got in touch to sign the single. the track is one of the most powerful productions were heard this year and proved its worth when we heard it played as part of duffsteps av show on cargos huge system. big beats with a huge bass line, close is a powerful track that crosses the border of house and dubstep. to compliment the track we commissioned hreno & the mole to provide their take with a stripped back house version. in addition yam who also steps up for remix duties providing a killer boogie track. touching dub step , house and boogie the 12inch provides 3 sounds from the different corners of todays dance music scene.

the fourth release in the series of techno twelves on simian mobile discos new imprint delicacies. jas shaw and james ford have been accompanying these 12 inches by curating their delicatessen parties around the uk.
you may have already noticed that each title bears the name of a bizarre and exotic delicacy discovered by james and jas whilst touring around the world. amalgamating hard edged analogue beat structures as well as some of the more mellow, melodic aspects of techno, delicacies reiterates the sheer excellent musical eccentricity that simian mobile disco continue to create. the delicacies series are unique offerings from one of the most exciting acts in electronic music.
comes with code for free digital download of this release.

with the >debut remix album< alfred heinrichs scored on subdub in all charts through the ceiling. now he puts on mimique the >all about me e.p.< after 2 great songs in the distinctive style of heinrich. as known from alfred, fits his sound is not in a drawer. the galloping bass, the hot breaks and vocal snippets push the two songs at the heart of heinrichs night. rounding out the e.p. is the philip bader remix of >all about me<. this comes with a brash, cocky driving house beat around the corner.

first on decks.de !! wavering minimal compositions by german techno aficionado felix bernhardt. (a1) felix bernhardt - black donkey : a massive piece of bass concentration mixed with a round sound structure, sampled vocals and a thrilling build-up for explosive dancefloor moments. (a2) felix bernhardt - die lustige lokomotive : felix bernhardt starts the track with playful, melodic bleeps merging into a hammering peaktime track - quirky, dynamic and groovy all along. (b) felix bernhardt - black donkey (wahrlich & carbon remix) : with a pounding beat at the beginning, the remix of >black donkey< comes along rougher and more minimalist than the original. the track develops its own force due to its distinctive melodic sequences.

after house releases on rush hour yore, tony takes it back to home grown detroit techno. from new millennial acid house, to disco string stabs, to human beat box samples, he works new angles into the timelessly classic detroit vibe.

erdbeerschnitzel makes his debut on 4lux records! mr schnitzel is rapidly making name with his intense and funking house tracks that always seem to be looking for new directions. here he comes with deep slower paced electronical tracks combined with dusty house grooves. >suave< flows straight into the air. combining a fat and dirty infectious beat with crazy synth lines that reach and reach and develop in their own unusual way. the same goes for >360< and >ultimate margot< but in a more beat driven way. the sounds build and rarely get extinguished just to build nearly from scratch again. one for the real connaiseurs!

ltj – go man go - classic ltj! killer track, based around a synth loop, vocal and a real strong groove. a firm disco tune that will be loved on the dance floor!
alien trick – black mystic prayer (jfk rework) - jfk is bang on form with this rework! a deep and hypnotic track that has a real dark feel and a beat that rocks. the bass line carries the song throughout, another hit for the club!

roman iv is roman flügel. surely, you dont need us to sing you the praise of his various styles. under his roman iv moniker, he always pursued his more contemplative dance floor side. la paloma is exactly that kind of perpetual and lulling marathon jam that recollects his testament tracks (check playhouse and ladomat for further listening) and needs to be followed all the way through. having said that, sa caleta looks for a more immediate hit. with a rigid punch and some greasy layers, you get romans take on the current or recurrent slow motion disco craze. straightened out and cut right to the chase. finally, lucy rolls over again, starts where la paloma ended and makes its way up to a subliminal hookline. for all you digi kids: look for the bonus beat mix tool supreme called 123 bpm. roman iv president

remixes von nicolas jaar und ed bangers boogie-revivalist breakbot! matthew dears black city is an opus of bacchanalian futurism, then second single >you put a smell on me< is its presumptive climax—an unblinking industrial march to the center of the brains most neglected corners. its drums are militant, its pace is unswerving, and the squarewave synths that start falling like mortar shells are searing and wide-eyed. then theres the marbled voice of dear himself, pent-up and sexually charged, beckoning you for a ride in his big black car. its the sound of staring down the part of yourself that you are most afraid of. if that seems too daunting, theres always the dub version. when mirrored through the eyes of others specifically wolf + lamb prodigy nicolas jaar and ed bangers resident boogie revivalist, breakbot — >you put a smell on me< starts to feel less lobotomizing. jaars version is a sullen, scratchy, headphone-ready beat trip—atmospheric vibraphone samples here, stilted kicks and snares there, all of it amorphously affecting together. and breakbot has no problem hamming it all up into the sort of blithe electro-funk every prom night deserves.

>les patates<, the fresh new rrygular release by tassilo, one half of pan-pot, is not an homage to french agriculture but a serious techno smasher with high club potential. at first, theres just a nice party atmosphere and … then this rough beat drops in! the small potatoe >petite patate< surprises by adding rudimental elements like the hihat and snare drum always a little late. but you have the feeling you havent missed something yet. this number just sneaks from behind and lulls you in with billowing pads until you sense the final rave sound as a self-evident consequence of it all. the message by g-tech right before the drop proves right - there is not a lack of vibration here! its all about the mixture … and in this case its just felicitous: male choir, clanking cymbals and finally the riff that this track subsists on. tassilo knows how to send the short melody-figure through the different stages of sound design, even though it might have been lively enough without it. this gives the big potatoe >grosse patate< a level of dynamic, that most contemporary techno releases just dont provide.

limited to 500 copies worldwide.bristol based skinnz unleashes his debut solo release after more than 5 years in the game! his productions date back to an appearance on a destructive recordings compilation back in 2005 alongside the likes of skream, toastyboy, distance and vexd. more recently his collabs with i.d have seen releases on labels such as pinchs earwax and double science. >keep it gutta< features soaring synthetic soul chords, like jokers >purple wow< sound with aggro elements sublimated into a crisp urban elegance. >euphorbia< strays into martyn/joy orbison territory, its fizzing drone chords and soul vocal samples compressed around a bassier but grime-inclined beat to breathless effect! currently receiving heavy radio1 / 1xtra support from mistajam and ras kwame, along with mary anne hobbs, pinch, mensah, i.d, baobinga, akira kiteshi, jayglo & more!

for this tune hem and terrible shock take apart an 80s soul lp, add some sci-fi synths, lazy drums and a sprinkling of analogue fx. after many painstaking hours of recording the duo take a well earned coffee break, then return to the studio just in time to see the back of the light-footed blunted robots man shortstuff as he runs off chuckling >your vocals are mine now!<. revenge plans are made, vehicles are fuelled up in preparation ? but these activities are cut short by the arrival of an email from the culprit ? it seems that he took the files back to his hq for what he describes as a refix ? with the engines still running, hem and shox check out the file and find it to be a work of genius ? what they hear is an accelerated kaleidoscopic fusion of on-beat claps and snares in a peak-time northern soul style, super heavy subbass hits and hectic syncopated keyboard chops.